DON’T ‘FLIP’ THE HANDS THROUGH IMPACT
Complementing perfectly the shape and the rhythm of Danielle’s swing, the way in which she releases the club through the ball with a very passive hand action is key to her accuracy. There is no manipulation of the clubhead whatsoever through the ball – there doesn’t need to be as she maintains a neutral clubface throughout. The ball itself is ‘collected’ as she unwinds and accelerates the clubhead. There is no physical determination to hit ‘at’ the ball, rather a flowing delivery of speed. The hands will, of course, cross over naturally as Danielle continues on to a finish, somewhere at around hip-high. What you don’t ever want is a feeling of ‘flipping’ the hands through impact (as illustrated above).
DON’T STOP! TURN ALL THE WAY THROUGH THE SHOT TO A FULL, BALANCED FINISH
Full rotation of the body in the through-swing is vital to the conclusion– hips again play a leading role
Assuming the target is as 12 o’clock, with me standing at around 10 o’clock, Danielle should be able to complete her through-swing and have her upper body look straight at me
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